Matt Bollinger by Anne Weber, Spring 2022
Maya Hayuk by Doug Gillen, Summer 2022
Genevieve Cohn, Winter 2023
Henry Taylor by Fredrik Nilsen, Fall 2022
Jenny Holzer by Maciek Kobielski, Summer 2022
Joy Labinjo by Deniz Guzel, Spring 2022
Pat Phillips by Adam Wallacavage, Winter 2023
Cristina BanBan by Bryan Derballa, Winter 2023
Jaime Muñoz by Max Knight, Summer 2022
Kate Pincus-Whitney by Max Knight, Summer 2022
Deborah Roberts by Moyo Oyelola, Fall 2022
Broken Fingaz by Yona Preminger, Fall 2022
Emma Stern by Max Knight, Fall 2022
Matthias Weischer by Sasa Bogojev, Fall 2022
Mr Doodle and Mrs Doodle by Doug Gillen, Winter 2023
Mohamed L’Ghacham by Brian Tallman, Winter 2023
Kehinde Wiley by Brad Ogbonna, Fall 2022
Woody de Othello by Channel Stone, Spring 2022
Aleah Chapin by Chris Rodriguez, Fall 2022
Troy Lamarr Chew II by Max Knight, Fall 2022
Kristina Schuldt by Sasa Bogojev, Spring 2022
Shara Mays by Alex Nicholson, Summer 2022
Faith Ringgold from her studio, Summer 2022
Laure Mary-Couegnias by Terence Bikoumou, Fall 2022
Stipan Tadic by Bryan Derballa, Winter 2023
And here we are, at the close of 2022, a tumultuous year, a radically changing year, a year of uncertainty, war, divide… an opening and a closing. And there was art. A lot of ART. From museum retrospectives (Alex Katz, Henry Taylor, Barbara Kruger, Francis Bacon to name a few) to some brilliant solo shows (Nicole Eisenman, Cristina BanBan, Wendy Park, Caleb Hahne Quintana, Naive John, Gregory Rick, Jean Jullien, Lauren Halsey, Jason REVOK, Alfonso Gonzalez, Derek Fordjour) to street art taking centerstage once again, it was an incredible year in the pages of the Juxtapoz Quarterly. Here is 2022, looking ahead to 2023.
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